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Gypsy at NPR’s Tiny Desk

Audra and members of the Gypsy cast and orchestra traveled to Washington, DC, to perform as part of NPR Music’s Tiny Desk concert series. Music Director Andy Einhorn conducts an 11-member ensemble. Sisters Louise and June, played by Joy Woods and Jordan Tyson, respectively, plead for a moment of peace and independence in, “If Momma Was Married.” Leading man Danny Burstein joins Joy and Audra for “Together, Wherever We Go.” The trio of strippers portrayed by Lesli Margherita, Lili Thomas and Mylinda Hull bring humor with “You Gotta Have a Gimmick.” Audra performs “Some People” closes out the show

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Critical Acclaim for Gypsy on Broadway

Audra stars as Rose alongside Joy Woods (Louise), Jordan Tyson (June) and Danny Burstein (Herbie) in the revival of Gypsy on Broadway, directed by George C. Wolfe. The production opened officially at the newly renovated Majestic Theatre on December 19, 2024, to unanimous critical acclaim.

Hold your hats and hallelujah, our leading musical tragedienne offers an ultra-dramatic Rose in George C. Wolfe’s Broadway revival.” —New York Times

“McDonald, as will be no surprise if you’ve seen her in full dramatic mode, makes a meal of Rose’s ambition and, with a slight southern drawl, a dessert of her guile. […] Her scenes with Burstein are rich and funny and regretful; those with June (Jordan Tyson) and Louise (Joy Woods) are withering.” —New York Times

“[Wolfe] has given us a way of seeing a star who had to be seen in this role. As ‘Gypsy’ suggests, and McDonald keeps proving, a pioneer woman needs a frontier.” —New York Times

“A once-in-a-lifetime performance that you’d be crazy to miss.” —The Washington Post

“Audra McDonald is a revelation in a magnificent star turn.” —Time Out New York

“Audra McDonald is the best actress to ever play this iconic role.” —Chicago Tribune

“McDonald’s “Rose’s Turn” feels like a once-in-a-lifetime event; the sort of unequivocal theater magic that you one day tell your grandkids about.” —USA Today

“In ‘Gypsy,’ McDonald augments her unparalleled Broadway legacy by summoning America’s rueful history to the stage.” —Los Angeles Times

“It wasn’t simply that the actor’s virtuosity was unleashed at full force. It was that Broadway history and Black American history were converging in a performer who was offering her gifts to an audience in a climactic conflagration. The result was, if not a religious experience, then a spiritually transfiguring one. There was something at once sacrificial and redemptive in what McDonald was channeling in her art, and I left the Majestic Theatre feeling reborn.” —Los Angeles Times

“Ms. McDonald transfixes, terrifies, rends the heart with her searing performance of this great showpiece. It ranks as a landmark not just in this artist’s already-historic career but also in the storied career of the show itself.” —The Wall Street Journal

“Any production of ‘Gypsy’ rises or falls on its Rose, and Ms. McDonald’s lifts this staging to majestic (sorry) heights.” —The Wall Street Journal

“Fueled more by anguish than fury, McDonald cuts a wrenching path through the emotional labyrinth of Sondheim’s lyrics for ‘Rose’s Turn,’ finding a hundred shades of feeling sometimes in a single syllable. It’s a breakdown for the ages — and the kind of thrilling take that keeps the classics alive.” —The Washington Post

“McDonald’s Rose is a gale of tremulous desperation and vulturous ambition. […]  It’s a true bravura performance, the type of mesmeric, shamanistic, nearly unbelievable wattage promised by the best of musical theater.” —Guardian

 

Audra Profiled in November Issue of “Vogue”

Audra McDonald is featured in the November 2024 issue of Vogue ahead of her debut as Rose in George C. Wolfe’s new production of Gypsy, set to begin previews on November 21 at Broadway’s renovated Majestic Theatre. The article profiles McDonald as she prepares to take on the iconic role.

Wolfe, the six-time Tony winner who directed McDonald onstage in Shuffle Along in 2016 and in the film Rustin last year, praises McDonald: “Audra is a living manifestation of talent and drive and ambition, and she exploded the box. This woman is determined to get at the truth of every character.”

Read Vogue’s full feature here

Vogue Credits:
Writer: Christopher Barnard
Entertainment Editor: Keaton Bell
Photographer: Luis Alberto Rodriguez
Fashion Editor: Max Ortega
Hair: Lacy Redway
Makeup: Michaela Bosch
Manicurist: Gina Edwards
Tailor: Germania Fernandez
Produced by: AP Studio Inc
Set Design: Mary Howard
Props: Hook Props
Location: Hook Studios